Thursday, September 21, 2017

Prep For Halloween Day 3

Wyllis Cooper, creator of Quiet, Please

The brainchild of Wyllis Cooper, a man whom Harlan Ellison tried to get put on a U.S. postage stamp for his contribution to fantasy writing, the radio program Quiet, Please has garnered a reputation as one of the better written dark fantasy drama anthologies ever created.

There is one particularly popular episode called "The Thing On The Fourble Board," on which you can read comedian Patton Oswalt's and writer Harlan Ellison's thoughts (and further rejoinders), here. The show is also posted at said link in the form of a Youtube video.

You can also download it as an mp3 file here from archive.org.

I can honestly say that listening to it in bed one night a few years back did creep me out. Not to the extent that Ellison claims that it did an entire generation of the most prolific science fiction and fantasy writers of the 1950s and 60s, but, it certainly merits a listen.

Prep For Halloween Day 2




Welcome to day 2 of 44 DAYS OF HALLOWEEN! It's no secret to people who know me, that with few exceptions, my favorite television shows come from the 1960s. Yeah, of course I love Mystery Science Theater 3000 and The Rockford Files, but the 60s had the best escapist entertainment as far as I'm concerned. Case in point: The Wild Wild West. 

The whole series (four seasons) is great. And while supernatural, or what would come to be known in the modern publishing parlance as "weird western" cropped up throughout its run, the second season of the show had a specifically supernatural bend to it. 

I give you, for today's viewing pleasure, the fourth episode of the second season: "The Night Of The Big Blast". What isn't to love about this? Ida Lupino as Dr. Faustina and her silent manservant Miklos have found a way to reanimate dead corpses and mold their visages into any identity they desire! Well...any identity they can make a life mask from. And they do just that with a corpse, stuffed with a bomb no less, in the image of Jim West (Robert Conrad) to blow up a meeting of the president's cabinet.

Just look at some of the screen grabs I took from this episode (all images copyright CBS Entertainment)!











Someone has uploaded it to Youtube as of the time of this post. If you are so inclined, it can be viewed here.

Monday, September 18, 2017

Prep For Halloween





Movies and television have definitely been a strong influence on me and the work I produce. When I was a child, I was often left to the glowing stewardship of my all-night chaperone, and as such, when I wasn't reading or exploring outside, I was an eager audience to old movies and syndicated television of all kinds. Batman, The Green Hornet and The Outer Limits held my interest and devotion in the way most of my peers were captivated by ALF, Teenage Mutant Ninja Turtles or The Wonder Years. I was the kid (then teenager, then adult) setting my alarm clock–or later, my VCR–so I could watch a 3AM showing of The Satan Bug with George Maharis and Richard Basehart on AMC (back when the channel showed movies), or staying up all night during the summer in the late eighties/early nineties to watch serials like The Purple Monster Strikes followed by films like D.O.A. (with Edmond O'Brien, not Dennis Quaid) or Atom Age Vampire. I was one of those kids that would scour the schedule in the weekly TV Guide and make note of what I might want to see and when it was showing, making sure to find a free television set or a blank VHS tape for whatever it might be. 

But that's just one facet of what inspires me and helped produce this site, and I don't want this site to be a film review blog. The internet is already a bog of armchair film critics and honestly, I don't think anyone is really all that interested in what I think of what I watch, or like to watch. I wouldn't review a movie to belabor how much I disliked it. Seems like a lot of energy to waste on something that didn't suit my tastes. And to be honest, I don't really care much what people think of the things that make me happy. 



Whew, that's a lot of rambling about nothing, especially what I'm not going to post here. All that aside, I want to introduce a film or episode of a television show or old radio program or something over the next 44 days that fits–however tangentially it might seem–the Halloween season.

Since watching the PRC Studio film The Black Raven initiated this novelty project, I suppose it's as good a place as any to start. I won't review the film. If you want to draw a conclusion about it, you can watch it yourself and decide what was good or bad about it. I like it, and I think it's a solid Old Dark House flick that would make a great addition to a Halloween film marathon.

Here are some shots from The Black Raven (1943) starring George Zucco and Glenn Strange:






It's a quick watch, checking in at just sixty-one minutes. George Zucco is the proprietor of an inn called The Black Raven, upstate New York near the Canadian border. He's apparently also a criminal (in the vein of Leslie Charteris's The Saint it seems) who uses the Black Raven moniker. On a particularly stormy night, a small-time hood who worked for a New York bigshot, a bank teller who absconded with $50,000 and the said bigshot's daughter and her fiancee all happen to wind up at Zucco's doorstep, waiting out the storm so they can cross the border to lay low/start a new life/elope. Unfortunately the bigshot himself, a crooked politician with criminal connections or a crook with political connections (I don't really know to be honest), shows up as well. He's quickly done away with and the "whodunnit" wheel starts spinning with The Black Raven playing an oddly benevolent role in the whole affair, making sure the innocent don't fall victim to a moronic sheriff, and the guilty party is captured. Glenn Strange plays Andy, the comic relief sidekick to the Raven. To add a somewhat needless third thread to this whole affair, one of The Raven's old acquaintances in crime shows up, freshly escaped from prison, looking to mete out some revenge on Zucco for letting him take the fall for a past endeavor.

It's got all of the things that I like about a good PRC b-film: plenty of atmosphere and great character actors (Zucco is his usual glibly likable self and Strange delivers some genuinely funny lines). 

Should you so wish, it is available to watch for free at archive.org.

Secret Basement Lab Alphabet: A is for ATOMIZER


“Perhaps you better understand the seriousness of the position you’re in, Doctor Phadley,” he said, pausing to turn and close the door to the small attic room behind him. He flipped the light switch near the doorframe, illuminating the cluttered laboratory prison.
            “You’re valuable to us while you’re alive, working on the project at hand. When that’s done, you can see your daughter. If you’re simply going to make trouble, then that value diminishes greatly.”
            The thug pulled a thin cheroot from his suit’s breast pocket, and stuck it between his wormy lips. “As for your daughter…” he added coolly, lips wriggling around the cigar, “…her value is appraised in tandem with yours.”
            The smarmy crook lit the thin cigar with a match and took a draw. He then plucked it like a feather from mouth and exhaled a great ball of crawling smoke, which flooded the scientist’s face, tickling his nose with its pungent odor and triggering his asthma.
            “Get the picture?”
            “The picture was clear some time ago, Mr. Mason,” Phadley snapped between coughs. “But perhaps it’s time we take another look at it. From a different angle, that is!” The diminutive scientist reached into a pocket of his lab coat and produced a bizarre gadget, a sort of pistol with an antenna where the barrel should be.
            “Whatcha got there, doc? Some kind of fancy soldering iron?”
The scientist’s wrinkled fingers bunched tightly around the handle, his knuckles bleeding white with strain. “No, not a soldering iron, Mason. Something worse!”
Mason cracked a crooked grin. Whether the reaction was one of nerves or amusement, Phadley couldn’t tell. But then, he didn’t care, either. Mason was a crook. A killer. A blackmailer. A gangster.
“I gotta hand it to ya, doc, I never’d have thought you’d have the stones to try and stand up to me. I guess I underestimate you egghead types. ‘Specially one of your age.
“Now,” Mason said, stepping slowly towards Phadley, eyes locked on his the entire time, as if trying to hypnotize him, to influence his will! “Let’s have the doodad, doc!”
Phadley held steady, one arthritic finger curling into the trigger guard of the bright blue plastic weapon.
“Doc…” Mason sneered, taking another step, “don’t be foolish. Don’t make me take that away from you! Your daughter–“
Phadley squeezed the trigger, and the antenna nose of the small pistol crackled with a flash of energy. A thin beam shot from the end, and caught Mason square in the sternum.
The criminal stopped dead in his tracks. His chin dropped, his eyes went to his chest. His hands started to furiously slap at the small burn at his breastbone. At first it was a little hole, like a tear in the fabric of his shirt. Then, like a tarantula waking from slumber and stretching its legs, it started to spread out in every direction from around the point of contact.
“What…what did you do?” Mason shouted. “You shot me?!”
“Yes!” Phadley snarled. “I shot you. Not with a gun—with bullets!—but with this device that I’ve been working on since you’ve locked me away in this god forbidden place! This atomizer!”
There was no blood. The small blast from the atomizer had simply started a reaction upon contact. The physical being known as Nick Mason was being eradicated, eaten away from existence as the very atoms that composed his body were being dissolved and deleted.
“I’ve removed one ugly mark from that picture you were talking about, Mason,” the doctor sneered. “And there’ll need to be many more such marks erased before the picture of the future is worth looking at again.”
Phadley stepped around the evaporating Mason. He walked out the door that had secured his prison cell for the last seven months, and stepped into the stairwell that would take him down into the isolated farmhouse. The others would be down there, waiting for Mason to return. He’d need to be quiet and quick. And unflinching.
It was gruesome work, but necessary. If not for his sake, then for Cathy’s. He heard the noise of the radio from below. It would give him some cover. Quietly, trying to mute the squeaks of the hinges and the creaks of the floorboards, Doctor Phadley pulled the attic room door shut. On the other side of the door, now, was simply a collection of still lab equipment, a tidy cot he’d slept on, a few changes of clothing, and one small, still-smoking cheroot cigar, slowly fizzling from both ends.

Thursday, September 14, 2017

Selections from Lady In The Death House (1944)

A fun little noir-lite b-thriller, from Producers Releasing Corporation, starring Lionel Atwill as a psychologist-cum-criminologist who races against time to prove that his recent acquaintance, Mary Logan (Jean Parker), is innocent of the murder she's headed to the electric chair for. To add insult to injury, Mary's fiancee happens to be the state executioner who will have to throw the switch!

Here are a some favorite visuals from the picture, which is available to watch and download (due to its being in the public domain) at archive.org.














Airing Out the Secret Basement Lab



Anthony La Penna, billed as Leslie Daniel, in the 1962 Rex Carlton Productions
picture The Brain That Wouldn't Die.


Howdy.

I first utilized the Secret Basement Lab "brand" if you will, about a decade ago, as a fun moniker that expressed in summation the influences and aesthetics that formed the doodles and paintings I seem to compulsively produce. A heavy dose of Columbia, RKO and Universal b-pictures commingled with old radio programs from the 1930s, 40s and 50s, and classic escapist and pulp fiction. I made a few social media accounts to display my stuff, though they are hardly tended to much these days. I also created a website (all self-coded) at secretbasementlab.com, which, also, has fallen into neglect.

The Secret Basement Lab identity has been somewhat co-opted and repurposed since its inception, more familiar now as a brand name for my wife's craft products and less as my personal artistic identity. If you are interested in buying some quality hand-crocheted bow-ties for your pets, or some handmade jewelry from reclaimed wood and other materials, please visit her page here.

From here on out, this will be my central hub. Don't bother looking at any of the social media accounts that might be out there; I rarely check them and don't post much on them anymore. The website secretbasementlab.com will be retooled for the crafts. For those who have any interest in the artwork and musings I might fling at the digital wall–whether they stick or merely slide down, leaving a sickly sticky trail of smeared intentions–this will be the place to find them.

Mad Doctor Josh