Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Friday, October 25, 2019

Hootin' Owl Pie?

I know everyone is familiar with the standard caramel apples, cutout cookies, pumpkin pie and whatnot when it comes to Halloween snack fare, but I came across a peculiar recipe in the Evening Edition of the October 26th, 1949 Winona Republican Herald. It's called Hootin' Owl Pie, and it appears to be some sort of a chocolate meringue pie with an owl's face made from marshmallows and cloves. 

Apparently it was the invention of some Republican-Herald reader, or it's a culinary treat long lost to time, because even a cursory search on the internet for Hootin' Owl Pie garners nothing of relevance. Anyone ever heard of this thing? It seems like one of those charming colloquial adaptations of something else with a tweaked recipe, since most chocolate meringue pies I've seen have a layer of white meringue on top of it.


A Halloween Throwback

 




































Halloween! It's definitely one of my favorite holidays. I generally get the decorating itch around mid-August, and damn if it doesn't turn into full blown hives come the second week of September.

Tastes and the idea of what is scary, not to mention what is deemed presentable, sure has changed over the decades. It's understandable that while my grandparents found Lon Chaney and Boris Karloff terrifying,  it was difficult to be driven to shivers by a leering Vincent Price in my parents' heyday, when there was footage from Vietnam on the nightly news and factors like Kent State and the swell of sensationalized serial killers, the rise in crime and social disillusionment eroding away at the squeaky clean and safe image of 1950s society. In a way, the world that was generally marginalized to pooh-poohe'd, trashy, hyper-sensationalized True Crime magazines at the newsstand, was now shown to be closer to the state of things than the Lawrence Welk broadcast illusion that many had tried to paper their lives in, regardless how many holes and tears it bore. At that point, The Mummy ceased to be terrifying.  Hence George Romero's Dawn of the Dead, Wes Craven's The Hills Have Eyes and Tobe Hooper's The Texas Chainsaw Massacre. New terror for a new era, where the chills on the screen had to match and exceed the ones the curtain had been drawn back from in the real world. 


Take a walk through any department store Halloween section these days, and you'll see a plethora of brutal set pieces: bloody handprint window decals, cake toppers cast in the shape of butcher knives with bloody blades, polystyrene decapitated heads. Me, I'm a traditionalist. To me, that isn't Halloween. Halloween for me is a celebration; it's a charade; and, damned if it isn't supposed to me fun. Human butchery isn't fun, it's horrible, which is why while I understand the evolution of horror as a genre from William Hope Hodgson and Frankenstein Meets The Wolf Man to Poppy Z. Brite and Saw, I'm strictly in the former camp when it comes to decoration.

Most of my decorations come from Beistle, the company that made all those nostalgic paper window decorations popular when your parents and grandparents were children. Due to popular demand they've been reprinting their classic designs over the last few years, even modernizing their game by upgrading some of their cardstock decor to window clings.

If you're interested in these throwback decorations as well, check them out here. For some great goods (including shirts, pins, etcetera) utilizing some of those amazing Beistle designs, check out Creepy Co here. And everyone have a great Halloween!





Tuesday, August 6, 2019

Gamblers, Brothels and Halloween in Winona


Two bits from page three of the Evening Edition of the Monday, October 30th 1893 issue of the Winona Daily Republican:

One detailing a skirmish between three drunken gamblers in a brothel on Second Street:






Another extolling the practice of observing my favorite holiday, even by intelligent people in the age of reason:

Wednesday, October 31, 2018

Happy Halloween!





It was a pleasantly low-key Hallow's Eve here in the Secret Basement Laboratory. I made some baking powder biscuits, tried to calm my animals with each chime of the doorbell, and watched two Halloween-themed episodes of The Andy Griffith Show: "The Haunted House" (Season 4, Episode 2, from October 7th, 1963; also the episode that formed the foundation of The Ghost And Mr. Chicken when Don Knotts left the show to start his film career), and "Three Wishes For Opie" (Season 5, Episode 14, from December 21st, 1964). In the former Opie loses a baseball in The Old Rimshaw House and Barney, Gomer and Andy go in to retrieve it. The house appears to be haunted, but in fact is a front for moonshiners. The latter finds Barney with a fortune telling kit that has an eerily high batting average with granting wishes via the power of Count Ivan Teleky! (Even if some of them are based on misunderstandings.)



And while I was watching, I drew this guy!

I'm all about the simple pleasures.

Yes, in case you were wondering, I am a seventy-year-old in a thirty-seven-year-old's body. I believe someone once described me as "an old soul", which, in the parlance of the kids means that I'm a real square. A real L-7, daddy-o! 

Thursday, September 21, 2017

Prep For Halloween Day 2




Welcome to day 2 of 44 DAYS OF HALLOWEEN! It's no secret to people who know me, that with few exceptions, my favorite television shows come from the 1960s. Yeah, of course I love Mystery Science Theater 3000 and The Rockford Files, but the 60s had the best escapist entertainment as far as I'm concerned. Case in point: The Wild Wild West. 

The whole series (four seasons) is great. And while supernatural, or what would come to be known in the modern publishing parlance as "weird western" cropped up throughout its run, the second season of the show had a specifically supernatural bend to it. 

I give you, for today's viewing pleasure, the fourth episode of the second season: "The Night Of The Big Blast". What isn't to love about this? Ida Lupino as Dr. Faustina and her silent manservant Miklos have found a way to reanimate dead corpses and mold their visages into any identity they desire! Well...any identity they can make a life mask from. And they do just that with a corpse, stuffed with a bomb no less, in the image of Jim West (Robert Conrad) to blow up a meeting of the president's cabinet.

Just look at some of the screen grabs I took from this episode (all images copyright CBS Entertainment)!











Someone has uploaded it to Youtube as of the time of this post. If you are so inclined, it can be viewed here.